[. . . ] 3 Checking the Supplied Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Connecting the Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Connecting Audio/Video Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Connecting Audio Components for the COMPU LINK-3 Remote Control System . . . . . . . . . . . . . . . [. . . ] Press Control % / fi until "CNTR SPK" (Center Speaker) appears on the display. Press Control @ / # to select the appropriate item about your center speaker. Each time you press the button, the display changes to show the following: LARGE SMALL NO LARGE Select this mode when the size of the center speaker is the same as that of the front speakers. SMALL Select this mode when the size of the center speaker is smaller than that of the front speakers. (This mode cannot be selected when you select "3CHLOGIC. ") Note: This "center speaker size" setting is so related to the center mode setting for the Dolby Surround that changing this setting affects and changes the center mode to a relevant mode, and vice versa. For example; · If you select "LARGE, " the center mode is automatically set to "WIDE, " and vice versa. · If you select "SMALL, " the center mode is automatically set to "NORMAL, " and vice versa. · If you select "NO, " the center mode is automatically set to "PHANTOM" for PRO LOGIC, and vice versa. Page 13 This amplifier can memorize the optimum sound setting for each playing source. About the One Touch Operation JVC's One Touch Operation function is used to assign and store different sound settings for each different playing source. By using this function, you do not have to change the settings every time you change the source. The stored settings for the newly selected source are automatically recalled. The following can be stored for each source: · Volume level (see page 10) · Balance (see page 12) · Loudness (see page 12) · Preset SEA modes (see page 15) · Surround mode settings (see page 17) Using the One Touch Operation To store the sound settings: 1. Dolby Pro Logic: Select this mode when the optional rear speakers are connected (as well as a center speaker). Dolby 3ch Logic: Select this mode when a center speaker is connected without rear speakers. * Manufactured under license from Dolby Laboratories Licensing Corporation. "Dolby, " the double-D symbol, and "Pro Logic" are trademarks of Dolby Laboratories Licensing Corporation. Notes: · The surround processor has no effect on monaural sources. · The surround processor cannot be used for recording. Using JVC's Hall Surround You need to connect one set of rear speakers to obtain the full effect. Once you have adjusted the Hall Surround, the amplifier memorizes the settings. Press SURROUND so that the Control % / fi / @ / # buttons work for selecting the surround modes. Each time you press the button, the surround modes change as follows: PROLOGIC 3CHLOGIC OFF HALL The indicator of the selected surround mode lights up in turn as you select the surround modes. Page 17 ADJUST 4. Press Control % / fi until "­ REAR +" appears on the display. · Pressing Control @ decreases the output level up to ­10 dB. [. . . ] 7 Synchronized Recording Synchronized recording means the cassette deck starts recording as soon as a CD or record begins playing. To use synchronized recording, follow these steps: 1 Put a tape in the cassette deck, and a disc in the CD player (or a record on the turntable). 2 Press the record (¶) button and the pause (8) button on the cassette deck at the same time. Note: If you do not press the record (¶) button and pause (8) button at the same time, the synchronized recording feature will not operate. [. . . ]